Document Type : Research Paper

Authors

• Maryam Zarekhalili ¹
• Seyed Aboutorab Ahmadpanah ²
• Maryam kamyar ³

¹ PHD student of Islamic art ,Tarbiat Modares university

² Assistant Professor, Tarbiat Modares university

³ Maryam kamyar, PHD Art research , Assistant Professor, Iranian Encyclopedia foundation

Abstract

“Tiraz” is a Persian word that originally is given to the textile which is decorated either by embroidery or woven inscription. The presence of inscription gave this types of textile a capacity of political propaganda. The inscriptions of Tiraz itself is a valuable documentation which reflect the political-religious life of the Islamic era. This article aimed to study the media appropriateness of "Tiraz" and "literature" by study the relationship "motif" in Ray Tiraz and Central Asia collection. Many of the known Ale-Buyid silk textile were found in ancient city of Ray. The Ray city is located on the Silk road and play the rule of connecting the west and the east parts of this road. In this paper, the geometric order and divisions of Ray textiles and Central Asia are analyzed. The geometric system of these styles are: Number of lines, Line spacing, The relationship between the width and height of the inscription. The Tiraz inscriptions in the studied were linear, curved, polygonal and in combination with the pattern.Question of this research: How to transfer the geometry of Iranian textile patterns along the Silk Road and how to arrange the lines And what geometric principles are used in scaling This research in benefited of a descriptive-analytical and historical approach. The results show that a precise pattern such as radical 2 proportions was used to organize and combine text and images. This pattern was transmitted along the Silk Road to Central Asia and was seen in Central Asian fabrics.

Keywords

• Tiraz
• Ale-Buyid
• Central Asian
• Geometry
• radical 2